| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 84437 |
|
Selbstportrat des Kenstlers |
Medium Oil on canvas
cyf |
| 80185 |
|
Selbstportrat des Kunstlers |
Oil on canvas
46 x 35 cm (18.1 x 13.8 in)
1815
cjr |
| 94952 |
|
Self portrait |
Oil on tin plated iron, 43.8 x 32.7 cm
cyf |
| 62848 |
|
Self-Portrait |
1771-75 Oil on canvas, 58 x 44 cm Private collection The painting shows an ambitious young man at the start of his career. He comes from the provinces, from humble circumstances, and is looking for commissions. Artist: GOYA Y LUCIENTES, Francisco de Title: Self-Portrait , painting Date: 1801-1850 Spanish : portrait |
| 62487 |
|
Self-Portrait Aged 78 |
1824 Pen and brown ink, 70 x 81 mm Museo del Prado, Madrid At the age of 78, Goya emigrated to France. After spending a few months in Paris, he settled in Bordeaux with Leocadia Weiss and her children. Author: GOYA Y LUCIENTES, Francisco de Title: Self-Portrait Aged 78 Form: graphics , 1801-1850 , Spanish , portrait |
| 44129 |
|
Self-Portrait in the Workshop |
1790-95
Oil on canvas,
42 x 28 cm |
| 44097 |
|
Self-Portrait with Doctor Arrieta |
1820
Oil on canvas,
117 x 79 cm |
| 92382 |
|
Serie de las pinturas negras |
Date 1821-1823
Medium oil on canvas
ttd |
| 92409 |
|
Serie de las pinturas negras |
1821-1823
Medium oil on canvas
144 X 66 cm
cjr |
| 69162 |
|
sittande kvinna och man i slangkappa |
1824
miniatyr på elfenben. 9x8.5
se |
| 69163 |
|
spanien, tiden och historien |
1812
olja på duk 294x244
se |
| 62473 |
|
Spanish Entertainment |
1825 Lithograph, 300 x 410 mm Biblioteca Nacional, Madrid This litograph is one of the four in the series The Bulls of Bordeaux. As in his early paintings, and unlike in his Tauromaquia, Goya takes a step back from the events in the ring. His focus now falls not on the battle to the death that had earlier fascinated him and inspired him to new compositional solutions, but on the bullfight as popular entertainment. Perhaps the emigr?was also inspired by reminiscences of life in Spain. Author: GOYA Y LUCIENTES, Francisco de Title: Spanish Entertainment Form: graphics , 1801-1850 , Spanish , other |
| 44138 |
|
St Gregory |
c. 1797
Oil on canvas,
188 x 113 cm |
| 44098 |
|
St Peter Repentant |
1823-25
Oil on canvas,
29 x 25,5 cm |
| 20782 |
|
Still Life with Sheep's Head (mk05) |
Wood 17 1/2 x 24 1/2''(45 x 62 cm)Entered the Louvre in 1937 R.F 1937-120 (G/AR) |
| 87274 |
|
Stilleben mit Fruchten |
: c. 1824-1826
Medium Oil on canvas
Dimensions Deutsch: 45 x 62 cm
cyf |
| 83141 |
|
Stilleben mit Fruchten, Flaschen, Broten |
c. 1824-1826
Medium Oil on canvas
Dimensions Deutsch: 45 x 62 cm
cjr |
| 45526 |
|
Style life with lamb head |
mk186
around 1808-12 Paris muse you Louvre |
| 1911 |
|
The Adoration of the Name of the Lord |
1772 |
| 44145 |
|
The Bewitched Man |
c. 1798
Oil on canvas,
42,5 x 30,8 cm |
| 62469 |
|
The Bravery of Martincho in the Ring of Saragassa |
1815-1816 Etching and aquatint, 245 x 355 mm - This is Plate 18 from the series Tauromaquia. While working on The Disasters of War, Goya also etched 33 plates, which he offered for sale under the title of Tauromaquia (The Art of Bullfighting). Here he depicts a famous torero, seated on a chair and with his feet tied, preparing to deliver the bull a fatal thrust. A moment of extreme tension, which Goya makes palpable by abandoning the traditional rules of perspective. Author: GOYA Y LUCIENTES, Francisco de Title: The Bravery of Martincho in the Ring of Saragassa (Tauromaquia 18) Form: graphics , 1801-1850 , Spanish , other |
| 41346 |
|
The Bullifight |
mk161
Oil on canvas
38x49
|
| 1919 |
|
The Burial of the Sardine |
1793
Academy of San Fernando, Madrid |
| 40636 |
|
The Clothed Maja |
mk156
1800-03
Oil on canvas
95x190cm
|
| 62471 |
|
The Colossus |
1810-18 Mezzotint engraving, 285 x 210 mm - This engraving by Goya (Goya's only mezzotint engraving) was formerly described (by his grandson) as a 'giant'. It shows a figure seated on a hill beneath a crescent moon, a meditative, passive counterpart to the threatening Colossus of the painting in the Prado. Author: GOYA Y LUCIENTES, Francisco de Title: The Colossus Form: graphics , 1801-1850 , Spanish , other |
| 22261 |
|
The Colossus (mk19) |
1802-1812
Oil on canvas,116 x 105 cm
Museo del Prado,Madrid |
| 44124 |
|
The Count of Florida blanca |
1783
Oil on canvas,
262 x 166 cm |
| 1913 |
|
The Count of Floridablanca |
1783
Banco Urquijo, Madrid |
| 44131 |
|
The Countess del Carpio |
c. 1793
Oil canvas,
181 x 122 cm |
| 20777 |
|
The Countess of Carpio,Marquise de la Solana (mk05) |
1757-1795
Canvas 71 1/4 x 48''(181 x 122 cm)Entered the Louvre in 1953 R.F 1942-23(S/AR) |
| 44122 |
|
The Crockery Vendor |
1779
Oil on canvas,
259 x 220 cm |
| 62474 |
|
The Divided Arena 1825 Lithograph |
300 x 425 mm Biblioteca Nacional, Madrid This litograph is one of the four in the series The Bulls of Bordeaux. At the end of his life, three years before his death, Goya once again returned to the subject of bullfighting, using the new technique of lithography to produce the series The Bulls of Bordeaux. Author: GOYA Y LUCIENTES, Francisco de Title: The Divided Arena Form: graphics , 1801-1850 , Spanish , other |
| 44136 |
|
The Duchess of Alba |
1795
Oil on canvas,
194 x 130 cm |
| 28588 |
|
The Executios of May3,1808,1804 |
mk61
Oil on canvas
266x345cm
|
| 62850 |
|
The Fall |
1786-87 Oil on canvas, 169 x 100 cm Private collection La Caeda and La Cucana belong to a series of seven paintings of 'country subjects' made to decorate the large gallery in the Duchess of Osuna's apartment in the Alameda Palace, the Osuna country residence outside Madrid known as El Capricho. The paintings were delivered on 22 April 1787. La Caeda is described in Goya's account for the paintings submitted on 12 May 1787: 'an excursion in hilly country, with a woman in a faint after a fall from an ass; she is assisted by an abbot and another man who support her in their arms; two other women mounted on asses [and] expressing emotion and another figure of a servant form the main group and others who had fallen behind are seen in the distance, and a landscape to correspond.' Though on a smaller scale, this series of decorative paintings is similar in style and character to the tapestry cartoons; but unlike the tapestry cartoons it includes some scenes, such as La Caeda, which appear to represent actual occurrences. It has been suggested that the fainting woman in La Caeda is the Duchess of Osuna, that the figure supporting her is Goya and that the mounted woman weeping is the Duchess of Alba. Artist: GOYA Y LUCIENTES, Francisco de Title: The Fall (La Caeda) , painting Date: 1801-1850 Spanish : genre |
| 28291 |
|
The Family of Charles IV |
mk60
1800
Oil on canvas
280x336cm
|
| 79568 |
|
The family of Infante Don Luis |
1783/1784
Oil on canvas
248 x 330 cm (97.6 x 129.9 in)
cjr |
| 79678 |
|
The family of Infante Don Luis |
1783/1784
Medium Oil on canvas
Dimensions 248 x 330 cm (97.6 x 129.9 in)
cyf |
| 77312 |
|
The Family of the Duke of Osuna |
1788(1788)
Oil on canvas
225 ?? 174 cm (88.6 ?? 68.5 in)
cjr |
| 79288 |
|
The Family of the Duke of Osuna |
1788(1788)
Medium Oil on canvas
Dimensions 225 x 174 cm (88.6 x 68.5 in)
cyf |
| 52500 |
|
The Family of the Infante Don Luis |
1783 Oil on canvas, 248 x 330 cm |
| 1918 |
|
The Fire |
1793 |
| 90500 |
|
The grape harvest |
Oil on canvas
Dimensions 275 x 190 cm
cyf |
| 1912 |
|
The Holy Family |
1774
Museo del Prado, Madrid |
| 28087 |
|
The Holy Family |
mk61
c.1775-1780
Oil on canvas
200x148cm
|
| 20781 |
|
The Ill-Matched Couple (mk05) |
Tin 16 1/2 x 11 1/2''(42 x 29 cm)Entered the Louvre in 1970 R.F 1970-33(MN) |
| 70526 |
|
The Inquisition Tribunal |
Medium English: Oil on panel
Dimensions Expression error: Missing operand for *46 ?? 73 cm
|
| 44094 |
|
The Last Communion of St Joseph of Calasanz |
1819
Oil on canvas,
250 x 180 cm |
| 1916 |
|
The Maja and the Masked Men |
1777
Museo del Prado, Madrid |
| 28105 |
|
The Maja Clothed |
mk61
c.1796-1798
Oil on canvas
95x190cm
|
| 28062 |
|
The Maja Nude |
mk61
c.1796-1798
Oil on canvas
97x190cm
|
| 64325 |
|
the marquesa de la solana, c. |
1792
paris, louvre |
| 44135 |
|
The Marquesa de la Solana |
1794-95
Oil on canvas,
183 x 124 cm |
| 44126 |
|
The Meadow of San Isidro on his Feast Day |
1788
Oil on canvas,
44 x 94 cm |
| 28086 |
|
The Milimaid of Bordeaux |
mk61
1827
Oil on canvas
74x68cm
|
| 44073 |
|
The Miracle of St Anthony |
diameter c. 550 cm |
| 62828 |
|
The Miracle of St Anthony |
1798 Fresco San Antonio de la Florida, Madrid Angels do not fall out of the sky; people, however, need a balustrade. Goya uses it to emphasize that the earthly world extends as far as the edge of the cupola, which is usually claimed by the Church |
| 62829 |
|
The Miracle of St Anthony |
1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious |
| 62830 |
|
The Miracle of St Anthony |
1798 Fresco, width of detail 50 cm San Antonio de la Florida, Madrid Artist: GOYA Y LUCIENTES, Francisco de Title: The Miracle of St Anthony (detail) , painting Date: 1801-1850 Spanish : religious |
| 1909 |
|
The Parasol |
1777
Museo del Prado, Madrid |
| 28075 |
|
The Parasol |
mk61
1777
Oil on canvas
104x152cm
|
| 64323 |
|
the parasol |
1777
madrid, prado |
| 86292 |
|
The Parasol |
1776-1778
Medium oil on linen / x leo sobre tela
Dimensions 104 x 152 cm (40.9 x 59.8 in)
cyf |
| 1917 |
|
The Pottery Vendor |
1779
Museo del Prado, Madrid |
| 44119 |
|
The Quail Shoot |
1775
Oil on canvas,
290 x 226 cm |
| 62458 |
|
The same |
1810-15 Etching and wash, 160 x 221 mm - This is Plate 3 from the series The Disasters of War (Los desastres de la guerra). Author: GOYA Y LUCIENTES, Francisco de Title: The same Form: graphics , 1801-1850 , Spanish , other |
| 87692 |
|
The Second of May 1808 or The Charge of the Mamelukes |
Date 1814(1814)
Medium Oil on canvas
Dimensions 266 x 345 cm (104.7 x 135.8 in)
cjr
|
| 44091 |
|
The Second of May, 1808 |
1814
Oil on canvas,
266 x 345 cm |
| 85840 |
|
The Strolling Players |
Date between 1794(1794) and 1798(1798)
Medium Oil on tin plate
Dimensions Height: 43 cm (16.9 in). Width: 32 cm (12.6 in).
cjr |
| 90024 |
|
The Strolling Players |
between 1794(1794) and 1798(1798)
Medium oil on tin plate
cyf |
| 42742 |
|
The third May |
MK169
1808 , 1814 oil Paint on cloth 260x345cm |
| 42746 |
|
The third May |
MK169
1808,1814 oil Paint on cloth 260x345cm |
| 85524 |
|
The Third of May 1808 in Madrid |
Date 1814(1814)
Medium Oil on canvas
cjr |
| 89633 |
|
The Third of May 1808 in Madrid |
1814(1814)
Medium oil on canvas
cyf |
| 90307 |
|
The Vintage |
1786(1786)
Medium oil on canvas
Dimensions Deutsch: 275 x 190 cm
cyf |
| 20772 |
|
The Woman with a Fan (mk05) |
Canvas 40 1/2 x 33''(103 x 84 cm)Entered the Louvre in 1898 R.F 1132 (S/AR) |
| 44133 |
|
The Yard of a Madhouse |
1794
Oil on tinplate,
43,8 x 31,7 cm |
| 91177 |
|
The Yard of a Madhouse |
1794(1794)
Medium oil on tinplate
Dimensions Height: 43.8 cm (17.2 in). Width: 31.7 cm (12.5 in).
cyf |
| 62462 |
|
There was no remedy |
1797-98 Etching and aquatint, 217 x 152 mm - This is Plate 24 from the series Los Caprichos. Those condemned by the Inquisition were publicly paraded wearing a distinctive conical hat signaling their disgrace.In 1807 a French traveller in valencia watched an alleged witch, "her upper body bared to the waist", being lead through every quarter of the town. Author: GOYA Y LUCIENTES, Francisco de Title: There was no remedy Form: graphics , 1801-1850 , Spanish , other |
| 62478 |
|
They are hot |
1797-98 Red chalk and red wash, 219 x 153 mm Museo del Prado, Madrid In all probability Goya was a faithful Christian, but he hated the mass of 60.000 Spanish monks as greedy and lazy, as encouraging superstition and as profiting from the work of others. Author: GOYA Y LUCIENTES, Francisco de Title: They are hot! Form: graphics , 1801-1850 , Spanish , study |
| 40649 |
|
Third of May |
mk156
1808
1814
Oil on canvas
266x345cm
|
| 62834 |
|
Tiburcio |
1820 Oil on canvas, 102 x 81 cm Metropolitan Museum of Art, new York Tiburcio Perez y Cuervo was an architect, a friend of Goya. Artist: GOYA Y LUCIENTES, Francisco de Title: Tiburcio Perez y Cuervo , painting Date: 1801-1850 Spanish : portrait |
| 85299 |
|
Tribunal de la Inquisicion o Auto de fe de la Inquisicion |
Date 1812-1819
Medium Oil on panel
Dimensions 46 x 73 cm
cjr |
| 87962 |
|
Tribunal de la Inquisicion o Auto de fe de la Inquisicion |
1812-1819
Medium Oil on panel
Dimensions 46 x 73 cm
cyf |
| 85558 |
|
Tribunal der Inquisition |
Date 1812-1814
Medium Oil on canvas
Dimensions 46 x 73 cm
cjr |
| 62465 |
|
Truth Has Died |
1810-1814 Etching, 175 x 220 mm - This is Plate 79 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body. Author: GOYA Y LUCIENTES, Francisco de Title: Truth Has Died (Murio la verdad) Form: graphics , 1801-1850 , Spanish , other |
| 44105 |
|
Two Monks |
1821-23
144 x 66 cm |
| 91646 |
|
Two Monks |
between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 144 cm (56.7 in). Width: 66 cm (26 in).
cyf |
| 44102 |
|
Two Women and a Man |
1820-21
125 x 66 cm |
| 44106 |
|
Two Women Eating |
1821-23
53 x 85 cm |
| 91639 |
|
Two Women Eating |
between 1821(1821) and 1823(1823)
Medium Oil on plaster mounted on canvas
Dimensions Height: 53 cm (20.9 in). Width: 85 cm (33.5 in).
cyf |
| 62470 |
|
Unfortunate Events in the Front Seats of the Ring of Madrid |
245 x 355 mm - This is Plate 21 from the series Tauromaquia. A bull has leapt over the barrier and killed and injured a number of spectators. Goya leaves the left half of the picture empty, infringing the rules of compositional harmony. A number of spectators are nevertheless flinging themselves from right to left: out of the static balance, Goya develops a dynamic one. Author: GOYA Y LUCIENTES, Francisco de Title: Unfortunate Events in the Front Seats of the Ring of Madrid Form: graphics , 1801-1850 , Spanish , other |
| 83526 |
|
Vesper im Freien |
Date 1788(1788)
Medium Oil on canvas
Dimensions 41 x 25 cm (16.1 x 9.8 in)
cjr |
| 87385 |
|
Vesper im Freien |
1788(1788)
Medium Oil on canvas
Dimensions 41 x 25 cm (16.1 x 9.8 in)
cyf |
| 1920 |
|
Village Bullfight |
1793
Academy of San Fernando, Madrid |
| 84479 |
|
Wanderkomodianten |
Date 1793(1793)
Medium Oil on canvas
Dimensions Deutsch: 43 x 32 cm
cjr |
| 88348 |
|
Wanderkomodianten |
1793(1793)
Medium Oil on canvas
Dimensions Deutsch: 43 x 32 cm
cyf |
| 62482 |
|
War scene |
1810-12 Brush and sepia wash, 150 x 195 mm Museo del Prado, Madrid A sombre scene, one of the designs that Goya did not turn into an etching for The Disasters of War. Author: GOYA Y LUCIENTES, Francisco de Title: War scene Form: graphics , 1801-1850 , Spanish , other |
| 91162 |
|
Wassertragerin |
oil on canvas
Dimensions Deutsch: 68 x 50 cm
cyf |
| 44081 |
|
Water Carrier |
1808-12
Oil on canvas,
68 x 52 cm |
